I caught the new video for "Show Me" and did some digging. I thought this was interesting. Check it out.


This is the actual video:

The Cool is definitive hip-hop.
The Cool is innovative and poignant.
The Cool though provoking.
The Cool is overflowing with head bobbing beats and viscious ryhmes.
The Cool is by no means a sophomore effort, The Cool is the second coming of Lupe.
The Cool is a a reflection of a true MC spitting words and wisdom.
The Cool is a collection of original lyrics.
The Cool is not a trend.
The Cool isn't about repetitive, nonsensical, hooks, but quality sincere tracks of substance.
The Cool is the hip-hop that saved my life.
The Cool is cool.
The Cool doesn't dumb it down.
The Cool is like book that you can't stop reading and re-reading.
The Cool is not about bitches, hoes, shoes, and clothes.
The Cool is a rolling stone.
The Cool is the fallen tree when no one is around.
The Cool is beyond your average rappers means, it's something they'll never achieve.
The Cool is a great gift.
The Cool heard by many, but speaks only to some.
The Cool is good music.
Go Get THE COOL by LUPE FIASCO

KANYE!


J*DAVEY BABY!



LUPE!

http://www.mtv.com/overdrive/?vid=196570

|chaseology|: The Cool Kids

Rolling Stone:THE COOL KIDS

I've been on these cats for a few months now. I don't know what to say. I've listened to them non stop for the past week or so. They are sick with it. I heard from a little birdy they met on Myspace like a year or so ago and just started hitting the studio. Anyway check them out on IMEEM, MYSPACE, etc.

(sidenote: you might of caught them on the box, they are featured in a Rhapsody commercial:

Online Videos by Veoh.com

she's about to bring it...again.

I’ve been bound and gagged by final exams but I found the time to sneak off with some fellow Janelle Monaè fans to celebrate her birthday. Let me start off by saying I love my apartment; it’s on Central Ave and seems to be the central launch pad everything. The Royal is a mere three blocks from my apartment— before I could say “Damn, I should’ve brought a jacket” I was paying the cover and getting patted down. We arrived early (10:00-ish), grabbed the closest booth, started chilling hard & and observing outfits. Hels & I decided to imbibe a bit. The bar was bountiful (Karen Walker Seal of Approval®). The libations were moderately priced & oxen strong. The DJ was spinning Dungeon Family and Outkast like it was 1999. It’s funny how certain songs take you back. I got super geeked when he played some COOLKids—that’s my shit. After a two rounds Hels & I ended up on the dance floor dancing to savagely to the 80’s hit “Nasty Girl”. It was lightly sprinkled with takers, and as time elapsed it slowly filled. The Royal isn’t quite like other spots I try. It’s a narrow, but huge. The furnishings are romantic with a hint of southern inspiration and just a teaspoon of Andy Warhol for a neo-contemporary flavor.
There were some notable names there like Michael Knight. The Royal is not for the gangsters or for the yuppies. It’s a bit less pretentious, I felt. It’s like a smoothie—you have a little banana, a little strawberry, one or two blueberries, and some crushed pineapple to make a delicious beverage. The crowd is diverse, laidback, and non-pedestrian. Everyone there was simply there to have a good time (good not hood) and celebrate Janelle’s Birthday. Jane was stunning and dressed to kill as usual. Her radiant glow and positive energy made my night. Plus I got to do the electric slide—that’s always a bonus. By 2:10 I was fatigued, parched, and famished but I continued to groove to the Jackson 5. Fast forward to 2:30 we said farewell to the night and found our way home in fear of too many of us collapsing at one time and not having a way home.

In these technologically savvy times, selling music in mass numbers has posed a difficult challenge for recording artist and labels. Some offer incentives for buying the album (i.e. bonus DVDs, special posters, free ringtones) even though the results are iffy. Alicia Key’s sits atop the upper echelon of music with a regal glow and a gracious expression. Not only did “As I Am” sell 742,000 but the album is a masterpiece. Her striking, passionate vocals, and the soulful innovation used to produce this album made this a remarkable addition to her discology. “No One” wasn’t a song that I like upon first listen. It was a departure from my perception of Alicia Keys. Then I read an article in Entertainment Weekly that explained how she wasn’t singing for vocal perfection or demure appeal, she was singing from her heart and soul--fortifying each lyric with passion.

My favorite tracks are “Wreckless Love” and “Teenage Love Affair”. These are two of the more upbeat tracks--two words "simply delicious". “Like You’ll Never See Me Again” is a beautiful ballad that stresses the importance of appreciating the love you have and never taking it for granted:

"If I had no more time
No more time left to be here
Would you cherish what we had?
Was it everything that you were looking for?
If I couldn’t feel your touch
And no longer were you with me
I’d be wishing you were here
To be everything that I’d be looking for
I don’t wanna forget the present is a gift
And I don’t wanna take for granted the time you may have here with me
‘Cause Lord only knows another day is not really guaranteed

So every time you hold me
Hold me like this is the last time
Every time you kiss me
Kiss me like you’ll never see me again
Every time you touch me
Touch me like this is the last time
Promise that you’ll love me
Love me like you’ll never see me again "

This album gives an exquisite experience for the ears, and also offers some life lessons. The numbers don’t lie. Buy this one, & savor it.